Sunday, February 26, 2017
I was honored to have a page of my original art included in a donation by Annie Koyama of Koyama Press of more than 250 pieces by a cross-section of great cartoonists to the Billy Ireland Cartoon Library and Museum in Ohio. There's a brief interview with her on Comics Reporter today about the transaction.
Posted by Tim Hensley at 3:25 PM
Saturday, February 11, 2017
Posted by Ken Parille at 12:07 PM
Posted by Tim Hensley at 5:30 AM
Monday, January 9, 2017
I have a cameo in the giant Fantagraphics Moto Hagiography "We Told You So," where Tom Spurgeon and Michael Dean exercise some kind of inside baseball wisdom of Solomon culling from the relentless expanse of Fantagraphics' toil and dramatis personae.
It's hard for me to say whether it will hold as much interest for someone unfamiliar with the topic, especially since I lived through some of it so contentedly as a consumer and partial content provider.
It's kind of like a big issue of The Comics Journal about The Comics Journal or receiving a yearbook and never graduating.
Sir Alfred No. 3 was released and did pretty well considering the significant roadblocks in its way.
I added a price tag to the Gumroad download page now that we're out of 2016.
I did manage to retrieve the printer files from Alvin's computer last month thanks to the goodwill of his parents, so another print edition might appear somewhere down the line.
I see I was also fortunate enough to end up on some end of the year lists.
I am very grateful for these mentions. I sort of feel like I've aged out of what is most current in comics these days, so I appreciate that some folks enjoyed my work.
Posted by Tim Hensley at 8:55 AM
Friday, October 7, 2016
Thursday, October 6, 2016
Friday, September 2, 2016
The final remaining stock of Sir Alfred No. 3 is described as "lightly damaged" and offered at a discount on the website of Fantagraphics.
I love this expression, "lightly damaged." Isn't everyone? What it also means is the undamaged books are now gone--souled out. With a thousand already in the ether, a second printing is asking for too much trouble.
Since Alvin's death, he's been in many dreams; in one, he was showing me a non-existent graffiti spray paint mural he did on Vermont near Santa Monica Boulevard in my old neighborhood. As we were crossing the street, a fleet of military aircraft swooped down at a 45 degree angle into the pavement and passed through us the way ghosts do. On the corner near the bus stop, there was a felled squirming cow covered in afterbirth.
I then started binge watching Kurt Cobain suicide conspiracy movies on Netflix, comforted by their distracting ability to explain "what really happened" because there is not going to be a way to know.
Recently there was a fire in Santa Clarita, and although it was not so near where Alvin is buried, I started to wonder what the temperature would be like under the ground and whether it might be stuffy wearing a suit inside a padded coffin when there are flames overhead.
So buy today, argh. I feel mostly like sleeping for a good while, but I am so indebted to Fantagraphics and John Porcellino for agreeing to make the books available for purchase.
Posted by Tim Hensley at 2:21 PM
Tuesday, July 26, 2016
This review luckily coincided with the San Diego Comic Convention, where the book was for sale.
It looks increasingly like Sir Alfred No. 3 will sell out.
There are no plans for a second printing, so order today, etc.
Posted by Tim Hensley at 8:45 AM
Tuesday, July 12, 2016
Joe McCulloch and Matt Seneca discuss Sir Alfred No. 3 on the podcast "Comic Books Are Burning in Hell." I believe the title is meant to be salutary, in the same sense one might say, "Those twelve bars by Drake are fire." I actually don't know if Drake is fire or not.
I'm very flattered to be the subject of this broadcast.
Normally on their podcast they are joined by Chris Mautner, who may have recused himself because he recently weighed in on Sir Alfred No. 3 with a review in The Comics Journal.
Posted by Tim Hensley at 9:10 AM
Monday, June 6, 2016
|Having the time of my life|
I feel like I do better with the written word, but instead fate has presented my second podcast interview.
This time it’s the show with the ironic misnomer "Inkstuds." It was host Robin McConnell’s inspired idea to have me interviewed instead by Roman Muradov.
Roman is a great cartoonist whose work for me has echoes of midcentury modernist art. He's, like, I don't know, a fauve painter, but one who has also assimilated someone like Syd Hoff? He combines that with an elevated wordplay, arguably that of an amused and/or appalled emigre?
It often occurred to me I should’ve been interviewing him. He has a new book coming out called Jacob Bladders; the sample art I’ve seen looks great.
He also has a book coming out in France, “Aujourd’hui, demain, hier,” I’m curious to see.
He’s also an extremely erudite fellow, to the point where I often felt like one of the scientists confronted with Cliff Robertson’s Charly at full apex. Whenever I say, “Oh, okay,” in the interview after he mentions an author like, say, César Aira, chances are I may be aware of who he’s talking about, but haven’t read the book in question.
(I was lucky he didn’t push me about my non-fiction reading habits, or I’d have to admit checking out Rod Stewart’s autobiography.)
Last I heard, Sir Alfred No. 3 is now past half gone. Order now [Space echo].
Fellow Blog Flume inmate Ken Parille puts Sir Alfred No. 3 under the electron microscope.
Chris Anthony Diaz publishes an interview on ComicsWorkbook we did way back in the halcyon days of 2014.
Posted by Tim Hensley at 11:02 AM
Tuesday, May 10, 2016
|"Diploma" shades purchased at Target for $3.00.|
Listen to me drone here.
The hosts are Ticket Stub publisher/cartoonist Rina Ayuyang and cartoonist Thien Pham.
They have entertaining good cop/bad cop chemistry.
Josh Frankel also checks in at the top to discuss new releases.
In other news, here's a page from Mujeres Celebres No. 69, Grace Kelly, published in 1966 in Mexico:
My Spanish is bad enough that I thought, "Cool, a comic called Dead Celebrities!"
I had originally bought issue number 76, but Alfred Hitchcock wasn't in it:
Posted by Tim Hensley at 10:56 AM
Wednesday, April 27, 2016
The final Pigeon Press publication Sir Alfred No. 3 is now available for purchase on the website of Fantagraphics:
and through John Porcellino's Spit and a Half distribution arm:
Or it can likely be found in a few select comic shops soon enough.
Thanks to Manuel and Josie Buenaventura for facilitating the distribution and John P. and Fantagraphics for taking the book on.
Also thanks to Chris Anthony Diaz and Thien Pham who physically transported the boxes from Alvin's to UPS. Chris sent me this in-transit cell phone photo, which calmed my nerves a bit:
Thanks to everyone I spoke with who offered their help or took interest in the proceedings.
In other news, Tippi Hedren is on the cover of Life After 50 magazine this month:
Posted by Tim Hensley at 5:24 AM
Thursday, February 18, 2016
Alvin was absurdly generous. I’m writing this in a room filled with stuff he gave me: comics, magazines, letterpress prints, original art, obscure minicomics, button collections, cartoon masks, European exhibition catalogs, foreign editions of books by cartoonists we liked, and so much more. When Alvin travelled, he must have been thinking “What would Ken want?” Then he got it. His gifts frequently arrived unannounced.
Once, when he attended a conference featuring a dizzying, never-to-be-repeated line-up of cartoonists (Crumb, Barry, Clowes, Ware, Bechdel, Brunetti, Panter, Sacco, Burns, Spiegelman, Gloeckner, Green, Tyler, Katchor, Seth), Alvin got every one of them to sign a program for me. It arrived unannounced.
|A gift from Alvin with a note.|
Alvin had the softest voice of anyone I ever knew. When we’d talk on the phone, I had to press it as hard as I could against my ear; and even then I often couldn’t hear him. It seemed a perversely perfect, Alvin-like irony that someone so soft-spoken would choose to live with two screaming birds, who frequently turned our phone conversations into farces.
Collaborating with Alvin was a real joy, though it wasn’t always easy (a habitually disappearing phantom can test any collaboration). I was happy to help him in any way I could. I’d talk with him about projects, write press releases, edit comic books, touch-up website copy, and write text that appeared on Buenaventura Press and Pigeon Press comics. Writing wasn’t Alvin’s strength, but collaborating was. When I’d put together some copy I thought was pretty good, he was always able to make it better, to get it to say just what it needed to say. I felt lucky to play a part in the forward-thinking art he released.
|Me, Alvin, and Daniel Clowes at SPX 2012.|
Posted by Ken Parille at 3:01 PM